More than 100 photographs include images from many of the lost episodes.Featuring new lyrics penned by vocalist Imogen Ryall, the trio’s arrangement of Carla Bley’s “Lawns” was one of the most exquisite things I’ve heard this year. #Download Carla Bley Lawns Pdf free full#This first full documentation of Stars of Jazz identifies every musician, vocalist, and guest who appeared on the series and lists every song performed on the series along with composer and lyricist credits. The remaining 85 kinescopes were long ago discarded. Surviving films were donated to the UCLA Film & Television Archive, where 16 shows have been restored 29 additional shows are in the collection. A landmark series visually, too, it presented many television firsts including experimental films by designers Charles and Ray Eames. The series garnered praise from critics and numerous awards including an Emmy from the Academy of Television Arts & Sciences. Each show provided information about the performance that heightened viewers' appreciation. Stars of Jazz was hosted by Bobby Troup, the songwriter, pianist and vocalist. Imagine an educational television series featuring America's greatest jazz artists in performance, airing every week from 1956 to 1958 on KABC, Los Angeles. His most recent album is Streams of Expression. Joe Lovano is a Grammy Award–winning tenor saxophonist. He is also the author of the book Aesthetics and Music (Continuum 2007). He teaches philosophy, and the history and aesthetics of jazz, at Durham University in the United Kingdom. Andy Hamilton is a jazz pianist and contributor to major jazz and contemporary music magazines. Crafted out of numerous interviews between the author and his subject, the book offers a unique look at the story of Lee Konitz’s life and music, detailing Konitz’s own insights into his musical education and his experiences with such figures as Miles Davis, Stan Kenton, Warne Marsh, Lennie Tristano, Charles Mingus, Bud Powell, and Bill Evans. His recordings have ranged from cool bop to experimental improvisation and have appeared on such labels as Prestige, Atlantic, Verve, and Polydor. Konitz is perhaps best known through his association with Lennie Tristano, under whose influence much of his sound evolved, and for his work with Stan Kenton and Warne Marsh. In the late 1940s, Konitz began his career with the Claude Thornhill band, during which time he came into contact with Miles Davis, with whom he would later work on the legendary Birth of the Cool sessions. I couldn’t put the book down-it is the definition of a living history.” -David Liebman The preeminent altoist associated with the “cool” school of jazz, Lee Konitz was one of the few saxophonists of his generation to forge a unique sound independent of the influence of Charlie Parker. The asides by noted musicians are beautifully woven throughout the pages. Konitz shows himself to be an acute observer of the scene, full of wisdom and deep musical insights, relevant to any historical period regardless of style. The main vibration I felt from Lee’s words was total honesty, almost to a fault. “Meticulously researched, detailed and documented, this long awaited overview justly establishes Konitz as one of the most consistently brilliant, adventurous and original improvisers in the jazz tradition-a genius as rare as Bird himself.” -John Zorn “Hamilton’s work may well mark the inception of a format new to writing on Western music, one which avoids both the self-aggrandizing of autobiography and the stylized subjectification of biography.” -The Wire “An extraordinary approach to a biography, with the man himself speaking for extended sessions.
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